MICHAEL SLUCHEVSKY


2021


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2020


    • Slabo
    • Droid Serif
    • Roboto Serif
    • Lora
    • Meriweather
    • Open Sans
    • Roboto
    • Lato
    • Stabo
    • Oswald
    • Open Sans
    • Roboto
    • Lato
    • Stabo
    • Oswald



    • Object Int’l —
    Info
    1. A rock is a perfect metaphor, an allegory in volume. When placed its sculptural limits beget a kind of artistic proposition — and when considered with reduced anthropomorphism and ungeologically — produce a ready-made analog to the causation and bounds of our attempts at the understanding of all things.

    Read more︎
Mark

MSARCH+DES

MSARCH+DES
   MICHAEL SLUCHEVSKY
2021
    • Slabo
    • Droid Serif
    • Roboto Serif
    • Lora
    • Meriweather
    • Open Sans
    • Roboto
    • Lato
    • Stabo
    • Oswald
    • Inconsolata
    • Source Code Pro
    • Droid Sans Mono
    • Ubuntu Mono
    • Cousine

2020
  1. Douglas Adams
  2. Terence McKenna
  3. P.B. Shelley
  4. Bruno Schulz
  5. Nicola Tesla
  6. Olaf Stapledon
  7. G.M. Hopkins
  8. Buckminster Fuller
  9. James Joyce
  10. Richard Feynman


Object Int’l —
Info
  1. A rock is a perfect metaphor, an allegory in volume. When placed its sculptural limits beget a kind of artistic proposition — and when considered with reduced anthropomorphism and ungeologically — produce a ready-made analog to the causation and bounds of our attempts at the understanding of all things.

Read more︎
Mark

1. Ursula K Le Guin





UKG / 1974
From The Author of the Acacia Seeds
and Other Extracts

            And with them, or after them, may there not come that even bolder adventurer — the first geolinguist, who, ignoring the delicate, transient lyrics of the lichen, will read beneath it the still less communicative, still more passive, wholly atemporal, cold, volcanic poetry of the rocks: each one a word spoken, how long ago, by the earth itself, in the immense solitude, the immenser community, of space.


001a
001b
001c
Mark

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