MICHAEL SLUCHEVSKY


2021


    • Droid Serif
    • Roboto Serif
    • Lora
    • Meriweather
    • Open Sans
    • Roboto
    • Lato
    • Stabo
    • Oswald
    • Inconsolata
    • Source Code Pro
    • Droid Sans Mono
    • Ubuntu Mono
    • Cousine

2020


    • Slabo
    • Droid Serif
    • Roboto Serif
    • Lora
    • Meriweather
    • Open Sans
    • Roboto
    • Lato
    • Stabo
    • Oswald
    • Open Sans
    • Roboto
    • Lato
    • Stabo
    • Oswald



    • Object Int’l —
    Info
    1. A rock is a perfect metaphor, an allegory in volume. When placed its sculptural limits beget a kind of artistic proposition — and when considered with reduced anthropomorphism and ungeologically — produce a ready-made analog to the causation and bounds of our attempts at the understanding of all things.

    Read more︎
Mark

MSARCH+DES

MSARCH+DES
   MICHAEL SLUCHEVSKY
2021
    • Slabo
    • Droid Serif
    • Roboto Serif
    • Lora
    • Meriweather
    • Open Sans
    • Roboto
    • Lato
    • Stabo
    • Oswald
    • Inconsolata
    • Source Code Pro
    • Droid Sans Mono
    • Ubuntu Mono
    • Cousine

2020
  1. Douglas Adams
  2. Terence McKenna
  3. P.B. Shelley
  4. Bruno Schulz
  5. Nicola Tesla
  6. Olaf Stapledon
  7. G.M. Hopkins
  8. Buckminster Fuller
  9. James Joyce
  10. Richard Feynman


Object Int’l —
Info
  1. A rock is a perfect metaphor, an allegory in volume. When placed its sculptural limits beget a kind of artistic proposition — and when considered with reduced anthropomorphism and ungeologically — produce a ready-made analog to the causation and bounds of our attempts at the understanding of all things.

Read more︎
Mark

2. Walter Pater





WP / 1873
From Studies in the History of the Renaissance
            Like the elements of which we are composed, the action of these forces extends beyond us; it rusts iron and ripens corn. Far out on every side of us those elements are broadcast, driven by many forces; and birth and gesture and death and the springing of violets from the grave are but a few out of ten thousand resultant combinations. That clear, perpetual outline of face and limb is but an image of ours, under which we group them - a design in a web, the actual threads of which pass out beyond it.


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Mark

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